Māori culture
Māori
Māori culture is the culture of the Māori of New Zealand, and Eastern Polynesian people, and forms a distinctive part of New Zealand culture.
Wharenui
The East Polynesian ancestors of the Māori were hunters, fishermen, and gardeners. After arriving in New Zealand, Māori had to rapidly adapt their material culture and agricultural practices to suit the climate of their new land - cold and harsh in comparison to tropical island Polynesia. Great ingenuity was required to grow the tropical plants they had brought with them from Polynesia, including taro, kumara, gourds, and yams; this was especially difficult in the chillier southern parts of the country. The harakeke (flax plant) served as a replacement for coconut fronds and hibiscus fibre in the manufacture of mats, baskets, rope, fishing nets and clothing.
Seasonal activities included gardening, fishing and the hunting of birds. Main
tasks were separated for men and women, but there were also a lot of group
activities involving food gathering and food cultivation, and warfare. Art was
and is a prominent part of the culture as seen in the carving of houses, canoes,
weapons, and other items. The people also wore highly decorative personal
ornaments, and people of rank often had their skin marked with extensive tā moko
similar to tattooing.
With the growth of tourism and exposure of haka to international audiences on TV
and at sporting competitions, Māori culture that was previously observed only in
Māori society and social gatherings with a significant Māori aspect, is
increasingly seen as fundamental to New Zealand culture as a whole.
interior of waharenui
The most appropriate venue for any Māori cultural event is a marae, an enclosed area of land where a wharenui or meeting house (literally "big house") stands. A marae is the spiritual home of a person who is culturally Māori. Any place appropriate to an occasion can, however, be used. Generally the Māori language is spoken, though translations and explanations are provided when the primary participants are not Māori speakers. Increasingly, New Zealand schools and universities have their own marae to facilitate the teaching of Māori language and culture.
The marae is a communal ceremonial centre where meetings and ceremonies take
place in accordance with traditional protocols. The marae symbolises group unity
and generally consists of an open grassed area in front of a large carved
meeting house, along with a dining hall and other facilities necessary to
provide a comfortable stay for visiting groups. On the marae official functions
take place including formal welcomes, celebrations, weddings, christenings,
tribal reunions, and tangihanga (funerals). The older people have the authority
on the marae, and they impart to the young people traditions and cultural
practices including legends, songs or the arts of weaving or carving.
Locals and visitors have to respect certain rules, especially during the rituals
of encounter. This is when the phrase tāngata whenua (people of the land) comes
into play. Should a group of people come to stay on a marae, they are considered
manuhiri (guests) while the owners of the marae are known as tāngata whenua.
Should other groups of manuhiri arrive, the manuhiri who arrived previously -
regardless of their race - are considered tāngata whenua for the purposes of
formally welcoming the new group. When Māori refer to themselves as tāngata
whenua this is not done solely to emphasise their indigenous status, as is often
assumed, because the connotation in Māori of the phrase is one not of separation
but rather of welcome and inclusion.n.
Although marae have modern cooking facilities, the hāngi, a traditional way of
cooking food in Polynesia, is still used to provide meals for large groups
because the food it produces is considered flavourful. The hāngi consists of a
shallow hole dug in the ground. A fire is prepared in the hole and stones are
placed on the top of it. When the stones are hot the hāngi is prepared for
cooking by leaving the hot stones and some of the coals at the bottom of the
hole. The food is placed on top of the stones, the meat first, with the
vegetables, such as kumara and potatoes, on top of it. The hāngi is then covered
with leaves or mats woven out of flax (or wet sacks) and left to cook. Finally,
soil is heaped over the hāngi to keep the heat in.
The history of individual tribal groups is kept by means of narratives, songs
and chants, hence the importance of music, story and poetry. Oratory, the making
of speeches, is especially important in the rituals of encounter, and it is
regarded as important for a speaker to include allusions to traditional
narrative and to a complex system of proverbial sayings, called whakataukī.
Significant Māori cultural events or activities include:
* The hui or meeting, usually on a marae. It begins with a pōwhiri or welcome.
If a visitor is noteworthy, he or she may be welcomed with an aggressive
challenge by a warrior armed with a taiaha (traditional fighting staff), who
then offers a token of peace, such as a fern frond, to the visitor. Acceptance
of the token in the face of such aggression is a demonstration of the courage
and mana (charisma) of the visitor. The pōwhiri is highly structured, with
speeches from both hosts and guests following a traditional format, their
sequence dictated by the kawa (protocol) of that place, and followed by waiata,
songs. Hui are held for business, for festivities or for rites of passage such
as baptism, marriage and death.
* The haka - an action chant, often described as a "war dance", but more a chant
with hand gestures and foot stamping, originally performed by warriors before a
battle, proclaiming their strength and prowess and abusing the opposition. Now
regularly performed by New Zealand representative rugby and rugby league teams
before a game begins. There are many different haka though one, "Ka mate" by Te
Rauparaha, is much more widely known than any other.
* Kapa haka (haka groups) often come together to practice and perform cultural
items such as waiata or songs, especially action songs, and haka for
entertainment. Poi dances may also form part of the repertoire. Traditional
instruments sometime accompany the group, though the guitar is also commonly
used. Many New Zealand schools now have a kapa haka as part of the Māori studies
curriculum. Today, national kapa haka competitions are held where groups are
judged to find the best performers; these draw large crowds. (The common
expression "kapa haka group" is strictly speaking, a tautology.)
* Koha are gifts to the hosts, often of food or traditional items, though money
is most commonly used today. The essence of koha is that it is voluntary and
comes from the heart, so to specify the amount is contrary to its spirit.
Recipients rely on the donors' aroha (empathy), manaakitanga (cherishing) and
wairua (spirit) to ensure that it is enough. Thanks for koha are accordingly
warm.
Text from Wikipedia
Pataka
bird snare
